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#Repost: Spotify's #NewMusicFriday x Billboard.com, September 16

September 23, 2016

As sponsored by Billboard.com x Spotify – September 16, 2016

Every week, Spotify updates their "New Music Friday" playlist, featuring 50 of the freshest new tracks hitting the service that week.

On the heels of Billboard’s partnership with the streaming giant, we’ll be tapping Spotify’s editors to sift through the soon-to-be-hits and highlight the best of the bunch.

Check out the picks and listen to the entire “New Music Friday” playlist below.

Calvin Harris – “My Way”

Calvin Harris recently teased that his new song, “My Way,” would feature a mystery guest vocalist. After fans speculated that it would be Ariana Grande, Demi Lovato or another established female singer, now that the single has arrived, the surprise is on everyone: Harris featured his own vocals! The producer shared during an interview that regarding handling the singing duties himself, as opposed to featuring a guest, he felt that the “the time [was right,” while also adding “I like to sing on a song every two or three years or so. I just kind of thought it was a bit of a curve ball.” Fans also are speculating that the song, particularly lyrics such as, “you were the one thing in my way,” is dedicated to none other than his infamous ex-girlfriend Taylor Swift. Naturally, it’s all up to interpretation but Harris did elaborate saying, “The song’s kind of about breaking out of a situation that you thought was a good thing. And it could be anything.” The Grammy-winning producer/DJ has worked with an impressive list of musicians, including Rihanna, Gwen Stefani, Tinashe, Florence Welch, Ellie Goulding and more, so his decision to go at this one alone makes for a refreshing change and reintroduction to his own distinctive talents, expression and identity as an artist. Recently explaining he’s focusing on one song at a time as opposed to on an album, Harris’ “My Way” is a testament to taking control back, over his art and his life alike and going about it all his way. So far, judging from the music alone, this choice is inevitably working in his — and his fans’ — favor.

Mac Miller - “Dang!” featuring Anderson .Paak

The morning after Mac Miller and Anderson .Paak performed their electric collaborative single “Dang!” on Stephen Colbert, the track finds a happy home on our #NewMusicFriday this week. Today (September 16) also marks the release of Mac’s new album, The Divine Feminine, and it couldn’t feel further away from the Mac Miller fans got to know and love through his earlier and oft-delinquent mixtapes. His 2015 full-length release, GO:OD AM, was a declarative album proving he’s evolved into his artistry in a way making it an extreme disservice to write him off as a rapper only fit for rocking college campuses. His new album, as showcased in “Dang!,” picks up where he left off last year, delivering his vocals over feel-good, buoyant and funky production, honing a new energy and matured perspective. Mac himself also croons, following Anderson .Paak doing his thing on the hook, and together, the two craft an addictive and pensive earworm fit for a dance floor, all while following a storyline of fleeting romance where sadness or self-deprecation is interestingly not the focal point.

Ryan Hurd - “Love In A Bar”

Country music, almost by indisputable definition, explores timeless topics of long-lasting love and heartbreak, which all too often can be traced back to a beloved small-town bar. Ryan Hurd’s latest offering, “Love In A Bar,” cuts to the chase, toasting the lyrical pillars of the genre with his infectious, smooth voice. The rising songwriter, in late 2014, celebrated his first No. 1 single, “Lonely Tonight,” recorded by country music veteran Blake Shelton and Ashley Monroe, before going on to be nominated for a Grammy. Now that Hurd has several impressive milestones as a songwriter under his belt, the musician is focusing on establishing his own destined career as a solo artist and is doing so with humility and grace. On “Love In A Bar,” the Michigan-born singer makes a strong case that he’s actually not a newcomer on the scene, naturally built to endure whatever may be thrown his way as he navigates his next chapter as a musician. The song highlights what everyone loves about classic country music, while also hanging onto late summer and celebrating unexpectedly finding love in your own hometown bar.

Panic - “Samurai” featuring Katy Tiz

Beginning his 2016 on a strong footing by way of signing a deal with Disruptor Records of Sony Music and embarking on a 25-date tour leading up to back-to-back performances at Coachella, Vancouver DJ/producer Vanic, real name Jesse Hughes, continues to deservedly capture the attention of forward-thinking fans of electronic music everywhere. Vance’s avant-garde production style makes him a force to be reckoned with, with his latest offering “Samurai” featuring the perfectly cinematic voice of Katy Tiz. The song balances a big-room feel with building dramatics, making for an equally complicated and delightful song that belongs soundtracking a live action movie. Out of our entire #NMF playlist this week, “Samurai” wins the title of most epic. Get lost in its legend-in-the-making tale.

Emeli Sandé - “Hurts”

Powerhouse vocalist Emeli Sandé is back behind the mic after a four-year hiatus, with her new single “Hurts” showcasing her vulnerability in a way that can only be commended while also getting fans excited for her sophomore album, Long Live The Angels, due out on November 11. Speaking honesty during a recent interview, the singer explained taking a break allowed her to “start from scratch,” and approach her music like she’s a brand new artist. In many ways, she is, with a new sound further strengthened by passion and raw emotion. Recently signing over her management to Roc Nation, the singer detailed how she went from songwriting for Rihanna in Paris to her and her mom flying to New York for a surreal meeting with Jay Z himself. Since leveling up and bringing herself back into the studio, years after her 2012 debut Our Version of Events, the Scottish singer shares that she’s approaching her music now by focusing on quality and only releasing what she truly stands behind. With “Hurts” as her leading single, it’s clear the singer has a lot to get off her chest and we’re all ears. 

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Invited Guest to the Weekly Podcast Recording of #BeatShotRadio

September 17, 2016

LISTEN HERE! 

Tonight (09/13/16 @ 9pm) we’re back for Beat*Shot Radio’s Live Takeover! Discussion topics will include:

★Special Guest: Black Entertainment Television journalist and Zooey Deschanel impersonator, KC Orcutt joins us to talk about interviewing celebrities and what it’s like being a white girl in Hip-Hop media.
★Struggle Words Trivia!: We say an outdated word or phrase, and provide multiple choice definitions for you to struggle with. Tweet your answers to#StruggleWords @BeatShotRadio.
★Slave School: #Georgetown University, which was built by slaves, is now offering the descendants of those slaves ‘preferential treatment’ in its admission process. We discuss.
★Hot For Teacher: Photos of an Atlanta teacher recently went viral due to her conventional attractiveness. We attentively stare at the photos for 20 solid minutes, while our listeners privately discuss body shaming and double standards, or whatever.
★White Rappers Revisited: The NY Times recently released an article criticizing the latest wave of white rappers—such as G-Eazy, Mike Stud, and Lil’ Dicky. Those are their real names, ya’ll. We discuss. Extra credit: Read the article entitled “Clear Of A Black Planet.”
★Pop-Up Shows: A secret concert gets announced one hour before it starts, and fans scramble across the city to attend. We discuss the pros on cons of this guerilla style performance art.
★Deadly Masculinity: A Black woman by the name of Tiarah Poyau was recently shot and killed for telling a man to stop grinding on her at a NY festival. We #SayHerName, and discuss how all men are ultimately responsible for her death, particularly Black men who do not defend Black women—an occurrence that happens frequently within our own city.
★Friday Morning Turn Up: This Friday morning (9/16) we’re asking folks to#PackTheCourt for Marquis Dixon—a local 16 year old who was charged, convicted, and sentenced to 9 years in maximum security prison for stealing sneakers. Details at www.caami.org orwww.blmupstateny.com#ReleaseMarquis

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A Conversation With Mary J. Blige & Maxwell [#Repost Via BET.com]

September 12, 2016

As originally published on BET.com: 

Mary J. Blige and Maxwell recently announced that they will be embarking on a co-headlining tour, fondly titled the King and Queen of Hearts Tour, reaching cities in the United States and Europe.

In many ways, this particular tour run is as fitting as it is overdue. While both are legends of the R&B and soul genre in their own right, this isn’t just about putting two trailblazing iconic talents together on one stage. It’s bigger than that, because the message both relentlessly share and represent all comes down to the healing power behind their music — something our world is universally desperate for.

With Ro James confirmed as a special guest for all U.S. dates, the King and Queen of Hearts Tour is stripping away any over-produced gimmicks to present a show that is supported first and foremost by the talent of its performers, allowing them to create a world uniquely their own for fans of soul music to inevitably get lost in.

Themes of vulnerability, betrayal, forgiveness, strength, perseverance and love – all powerful emotions that we feel better than we can explain — bring us closer to being in touch with soul music. While it is an injustice to the history and culture of R&B and soul to not mention these two names, both Mary J. Blige and Maxwell have the ability to remove their egos from the equation and organically captivate audiences with their music. This tour isn’t just about them.

The dynamic of Blige and Maxwell on stage is destined to be as feel-good as their personal history is together; this is a story of fans becoming friends. With each consistently supporting each other throughout the past two decades and then some, their friendship is as genuine as their music, making for an infectious and inspiring example of what happens when people build one another up.

“Let me tell you my first time hearing Maxwell,” Blige says, laughing. “It was during what I think was the very first vacation I ever took while in the music business with all my girlfriends and so you know what that was!

“The Love Jones soundtrack had just come out and it was the hottest thing on the street and this guy named Maxwell was on there with this one song that was just crazy,” she continues. “It made you feel gooey.. and just all of that. That song to this day was my introduction to him as an artist.”

Blige then reflects on the first time she met Maxwell in person, curious then as to who he is as a person. Turns out, the two are not all that different and that’s a huge part of the reason why both are where they are today, especially while gearing up to hit the road together.

“The first time I met him was at the Soul Train Awards and I was saying to him how great he was,” Blige reflects. “I was so moved by everything that he did but it was that Love Jones soundtrack that really put him on my radar and then he had so much amazing music after that. I just thought he was an amazing artist and I couldn't wait to meet him. And then I became his friend and it was like, he's the real deal. He's a beautiful person.”

Maxwell recounts a similar experience with Blige, helping to add to the undeniable fact that this tour was a long time in the making.

“For me, I have a soft spot for Capricorns and always have,” Maxwell says. “They just keep it real, they're family, they handle their business, they speak it straight and they're loyal, to a fault sometimes, but I don't believe loyalty is ever a fault. It’s always an incredible thing when you're a person that holds down everyone that you've been around.”

Much like Blige, Maxwell was first introduced to her by way of her music and instantly became a fan. His first listen was “You Remind Me,” and he recalls how it was a “movie-like” experience meeting her in person at the Soul Train Awards, where he took home three awards in 1997.

“After her performance, she walks up to me — and I have a really good memory for kindness —and says these encouraging words like, ‘Look, keep going because what you're doing is so special and you're doing your own thing and rock on.’ I just never forgot that,” Maxwell recounts.

The pair then recall how they had anticipated working with each other at one point or another, but Maxwell admitted he had some hesitation about working with her, recognizing her legacy early on in his career.

“It's Mary, you know?” Maxwell says. “I really had so much anxiety trying to do a song with her. Like, I had done the song but I never felt like I did it good enough. Not to be better than her but who do I think I am?”

Mary then interrupts, saying, “Oh c’mon, Maxwell, you’re Maxwell, man! Put down the humble pie for a second, ‘cuz your voice, let's talk about your voice!”

“Your voice is amazing,” Mary continues. “You sing the hell out of your songs and you make us feel, like that's what you're about. Mary J. Blige is not an opera singer and I'm not the best singer in the world, I just make people feel — and you have a great voice and you make people feel so that's what we're about.”

“I’m not fishing here! I'm just being really honest!” Maxwell responds.

“I understand but I just had to give you that,” adds Mary.

“I’m just speaking from the moment and from that mindspace,” Maxwell explains. “I really appreciate what you just said. It means so much to me. It's just how I felt at the time.”

From here, it’s beyond clear that not only is their connection to soul music mutual, but so is their love and respect for what the other is doing. Their energy together is a beautiful thing — and it’s not the least bit competitive or contrived. As Maxwell later points out, both are at a point in their career where they are equally invested in fostering the careers of other artists as they are doing their own thing. They also won’t be counting out the possibility of working on new music together during this tour, with Maxwell adding that his tour bus has a studio, they both have their bands and “anything can happen.”

“I feel like Mary has been, and is, part of an era that when you think about all of the people she's worked with and what they have become, it’s just incredible,” Maxwell says. “They are multi-billionaires now and it all started with her. People do not really realize that. She has blessed so many people with just even being on their record. Mary has a bunch of artists that she supports and guides and mentors and I think that we're at a stage in our careers, especially Mary, where it's not just about us being on stage, it's about us facilitating opportunities for future singers and soul musicians out there.”

Maxwell then goes on to talk about how the genre may have changed in regards to how we label it, but at the end of the day, the soulful element comes through consistently to speak the loudest.

“It’s not that soul music is dying,” he explains. “It's that people need to always remember that, at the end of the day, these records, you can dress them however you want to, but soul music is soul music. Period. That's what it is. It's trap soul, it's hip-hop soul, it's neo-soul, but it's soul. Before the names, when we cut all of the labeling and categorizing out of it, it's just soul music. And that's what Mary does. Mary has been doing soul music. I do my best to do my version of that.

“I think that we need to bring that back,” Maxwell says, when asked why this tour is important in 2016. “I know that music is this thing that got us through the civil rights movement in a way. I think that whatever issues we are experiencing right now in the world politically, it's up to us as creative people, musicians, artists, writers, activists to lift others up, so we can be more unified and to remember that love is everything. Love has no color, no gender. Here we are, for example. We're going to do this tour, and we're going to places where some people can't even speak English. They know all these Mary lyrics and what she’s about and that's a universal language that we speak. It's a great responsibility that we hold as artists to bring that to people.”

Much as the successes of Maxwell’s latest album, blackSUMMERS’night, show and the fact that Blige herself is readying her 14th studio album, R&B and soul music is as alive and well today as ever, adapting with the times while still holding its own.

“I feel like it's important because we need to keep the power of soul music alive and the love of music alive,” Maxwell concludes. “These things will never go out of style.”

See the King and Queen Of Hearts U.S. tour dates below.

11/5 – Baltimore, MD @ Royal Farms Arena
11/6 – Washington, DC @ Verizon Center
11/9 – Philadelphia, PA @ Wells Fargo Center
11/10 – New York, NY @ Madison Square Garden
11/12 – St. Louis, MO @ Scottrade Center
11/14 – Toronto, ON @ Air Canada Centre
11/16 – Cleveland, OH @ Quicken Loans Arena
11/18 – Detroit, MI @ The Palace of Auburn Hills
11/19 – Indianapolis, IN @ Bankers Life Fieldhouse
11/20 – Memphis, TN @ FedEx Forum
11/22 – Charlotte, NC @ Time Warner Cable Arena
11/23 – Richmond, VA @ Richmond Coliseum
11/25 – Atlanta, GA @ Philips Arena
11/26 – Greensboro, NC @ Greensboro Coliseum
11/29 – Miami, FL @ American Airlines Arena
12/1 – New Orleans, LA @ Smoothie King Center
12/2 – Dallas, TX @ American Airlines Center
12/3 – Houston, TX @ Toyota Center
12/6 – Los Angeles, CA @ The Forum
12/7 – Oakland, CA @ Oracle Arena
12/9 – Las Vegas, NV @ T-Mobile Arena
12/11 – Bossier City, LA @ CenturyLink Center
12/12 – Kansas City, MO @ Sprint Center
12/14 – Chicago, IL @ United Center

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