#Repost: Frank Ocean Is Paving A New Way For Creative Introverts To Thrive

As originally published on TheSource.com:

While endless studies have been conducted on the psyche of the creative, many claims dance around the general consensus that a large majority of creative people are both uniquely introverted and extroverted. While this is not always the case, a major key lies in discovering and honoring the environment that best suits an individual’s creative process. When considering a reputedly exclusive artist like Frank Ocean, an extrovert-leaning person may be confused, infuriated or both regarding how he unfolded his latest work. I know I was.

What an extrovert may consider a sloppy roll-out, an introvert may consider to be an absolute work of art and find beauty or value in the process leading up to the product. As we all know, Frank Ocean is someone who recently fell victim to at-times unforgivably harsh criticismregarding how he went about releasing his latest album. It got so bad in social media circles that his loyal supporters created a call to action to leave the artist alone. Fans felt entitled to his album and when an optimistic July came and went, some wondered if this all turned into a cruel joke gone-too-far and his album would remain mysteriously shelved forever. Luckily, that was not the case, but one still has to wonder if what we saw with Frank Ocean is on its way towards becoming the norm as the traditional way to release music doesn’t seem to cut it these days. And if it is, is that really so bad? Are we so entitled as consumers that we need every artist to follow the same formula because that’s what works for us?

When examining the release process of artists such as Kanye WestBeyoncé and Rihanna, the pattern is very similar. Frank Ocean now falls into this as well, perhaps at a new extreme. These artists can, arguably, get away with whatever they want in regards to their art and how they unveil their art because their fanbases will always follow. If West wants to sell out Madison Square Garden to play unfinished and unmastered tracks off of an iPod, so be it. If Beyoncé wants to break the Internet overnight, so it will be. If Rihanna wants to tease her new album in a series of videos that unlock literal and figurative doors though her “ANTI diaRY,” that’s cool too (except of course when TIDAL gets in the way).

Each one of these artists experienced unnecessary pressure from their inpatient fans to deliver a project so good the botched, annoying or never-ending or nonexistent promotional campaigns would be worth it. Frank Ocean experienced that pressure for four years at a unrelenting level, and now people are joking that given the amount of creative work he recently shared, he’s about to disappear for the next five years. To say that’s unfair is an understatement.

As we’ve seen several times this year, sometimes the roll-out of an album overshadows the album itself. How messed up is that?! Are we really going to remember that one time Frank Ocean took his sweet time to deliver his art over the fact that he dropped two albums, two visuals and a magazine within 48 hours for us to consume and digest just as quickly? I certainly hope not.

By loose definition, introversion enables people to feel energized by the time they spend alone and extroversion creates an opportunity for people to feel energized by being in the company of others. Frank Ocean definitely lies in the former. While no creative person wants to be categorized or confined by a label, Ocean being labeled an introvert may inspire more good than harm. Introverts, by nature, are sensitive. Not saying that extroverts aren’t, but an introvert-leaning person may be hesitant to share their self-expressive work because of that sensitivity and for a fear of being misunderstood or criticized. Extroverts also grossly outnumber introverts, so if you were outraged at Frank Ocean, you weren’t the only one by any means. In fact, you were in the majority. Perhaps introverts can relate more to Frank Ocean in general, and understanding why that makes sense will help bring his extroverted supportersone step closer to figuring out his intentions in the first place, while also allowing for others to let up on criticizing him for his conscious decisions to release his album on his own terms.

“Now keep in mind that I’m an artist and I’m sensitive about my s**t,” Erykah Badu once famously said. (Of course, she said it best.) Frank Ocean probably relates heavy enough to that sentiment to retweet it, fav it and print out the Tumblr-ready quote as a reminder. There’s no way it’s an easy emotional task to have put yourself into your work for years and have millions of people hounding you for it for just as long. When he finally made his way up the staircase he built during his curious live video stream, it was impossible not to celebrate the view along with him. It’s a perfect metaphor. The view is always worth the climb, and Ocean’s new music is a testament to that. It’s almost too good.

Frank Ocean is the rare type of artist that lives his art. This is as evident in his public persona as it is in his personal blog posts. While his disregard for following a schedule had the most impatient of fans frustrated, to be frustrated with him is to do him an extreme disservice. Considering how much goes into a project, Ocean really didn’t make us wait too long. He doesn’t owe us anything. In a way, Frank Ocean gave us more while giving us less. Every look into his creative process revealed more about him than a quote in a traditional interview ever could. Considering his album is currently #1, it’s without a doubt that this crazy ride Ocean brought us on was more than worth the at-times infuriating and confusing wait.

Through all of this, Frank Ocean is helping to pave a new way for creative introverts to thrive. Instead of criticizing the process, fans are being subject to learning how to celebrate the process. And for an artist like Ocean, as well as for those who relate heavily to him as an artist, that really is everything.

Artist Bio for Allen Poe

professional bio for recording artist allen poe -words by KC Orcutt

As published here, reposted below: 

With a diverse artistic output spanning two decades, Allen Poe has molded his career around his multi-faceted creative interests within music. With roots as an emcee, the Frankfort, Kentucky-born recording artist has expanded his talents to include shooting & editing music videos, launching a videography business and writing about his local scene and music at large for several publications.

Being driven by a small town with little hip-hop culture, Allen Poe was inspired by the sounds he heard growing up, citing Jay Z, MF Doom and the Wu-Tang clan as early influences. By placing a conscious focus on incorporating his own experiences into the framework of the genre to mirror his genuine perspective, he was successfully able to create a sound akin to his own distinctive style and background.

Cultivating themes such as magnifying the mundane elements of ordinary life to build a relatable common ground and exploring universal emotions and attitudes lyrically, the music he creates is reflective of much more than his tactful songwriting, perfected over time and practice. For Allen Poe, both as a listener and as a rapper, hip-hop represents a cultural education that hits deepest when it holds substance and is clothed in artistic expression. Taking a responsibility to contribute in a direction Allen Poe feels is crucial in an oversaturated industry where entertainment and shock value often holds presidency over honest art, the rapper often builds his songs from poetry first, working to bend his words into rhymes that fit his selectively curated beats.

Both a veteran of the rap game and of our country, Allen Poe has built up an impressive resume with milestones including creating a plethora of projects under his belt, sharing stages with Lupe Fiasco, Rick Ross and Juvenile and collaborating with a growing list of artists including, J57, honorary Cunninlyguist member Sheisty Khrist, DeeJay Element, Hannibal King, PJ Katz, Denmark Vessey, IV The Polymath, The Other Guys and more. 

Balancing his music with his family life and being the best husband and father he can be has also been a crucial component to his work as a well-rounded emcee. 

From coaching his daughters softball team to mentoring other artists, Allen Poe is enthusiastic to pass on what he’s learned first hand, aiming to provide a soundtrack that celebrates growth, regardless of whether its an inch or a foot is irrelevant to this emcee. Allen Poe is celebrating how far he’s come, not how far he’s yet to go and overall this approach is yielding his best music to date. 

#Repost - New Music Friday - August 12, 2016

Words by KC Orcutt for Spotify x Billboard.com

Every week, Spotify updates their "New Music Friday" playlist, featuring 50 of the freshest new tracks hitting the service that week.

On the heels of Billboard’s partnership with the streaming giant, we’ll be tapping Spotify’s editors to sift through the soon-to-be-hits and highlight the best of the bunch.

Check out the picks and listen to the entire “New Music Friday” playlist below

Green Day - “Bang Bang”

Green Day, reputed for their politically charged pop-punk anthems, returns with their new single, “Bang Bang,” which doubles as the first promotional track in advance of their forthcoming twelfth studio album, Revolution Radio, due out on October 7. Of the track, frontman Billie Joe Armstrong explains that the song examines “the culture of mass shooting that happens in America mixed with narcissistic social media.” The veteran trio is no stranger to addressing difficult topics and unapologetically presenting them with their celebrated, signature brand of punk, and “Bang Bang” makes for a timely conversation about what Armstrong describes is “this sort of rage [that’s] happening.” Factoring in that this ‘rage’ is also now being filmed as we’re constantly under surveillance admittedly freaked the singer out, revealing that once he wrote this single, the rest of the album unfolded organically. Especially given the current unrest our nation is experiencing — and with the next presidential election drawing near — the group has endless material right in their wheelhouse to work with, and we’re more than welcoming of another strong middle-fingers-up collection of songs from the legendary punk trio.

PARTYNEXTDOOR - “Don't Know How”

OVO Sound’s elusive crooner, PARTYNEXTDOOR, has today released his next installment in his self-titled series, P3. The highly anticipated project comes after rolling out several singles, including the 16-track album’s lone feature from label boss Drake on “Come And See Me.” The singer-songwriter has long been a staple of the OVO roster, with his unique take on fusing traditional R&B with electronic soundscapes leading a movement many genre-bending artists are being inspired by. His beautifully raunchy track “Don’t Know How” makes for a great introduction to PND’s sophomore full-length album, as he serenades the ladies with an intriguing mixture of his smooth confidence and subtle vulnerabilities. In a letter addressing his fans, the singer-songwriter promises to be better at interacting with his fans, as part of his intrigue has come from his behind-the-scenes moves, writing humbly that “it’s still hard to believe that you want to hear the kid from Mississauga sing his stories.” We’re ready to get to know PARTYNEXTDOOR in a new, real way and on P3, he gives us ample opportunity to do so through his music.

Tritonal/Jenaux/Adam Lambert - “Broken”

Adam Lambert shows his versatility as a vocalist as he weaves his way into the soft EDM-foundation built by production duo Tritonal. Their collaborative single, “Broken,” is off of the group’s debut studio album, Painting With Dreams, out next month on September 9. Of the single, Tritonal explains, “Some records just seem to fall from the skies, and ‘Broken’ was just this. Written in a few hours and produced in three days, ‘Broken’ showcases why Adam Lambert has one of the biggest voices on the planet." The musicians crossed paths for the first time when Tritonal remixed one of Lambert’s songs and from there, it only made sense for all parties involved to team up once more, as well as recruit Jenaux into the mix. “I loved the remix that Tritonal did on my single 'Ghost Town' and that's when I discovered their music and became a fan,” Lambert says. “So when they approached me to do a feature it was a no brainer!” While the title may suggest differently, the artists come together on the track in a healing way, with the chorus backing up the organic nonchalance their combined talent holds, as they collectively sing, “when we met, you made me forget / that my heart was ever broken.”

OneRepublic - “Kids”

OneRepublic returns with the second single off of their upcoming fourth album, due out early this fall. As frontman Ryan Tedder shared with Billboard, the project is the longest amount of time the Colorado natives have spent recording one collection of music. “We did a lot of living in the past four years,” he says. “There was a lot to write about.” As the group proves that the best art takes time to put together, they are keeping busy preparing for their upcoming performance of their punchy, synth-driven new single “Kids” at the NFL Kickoff on September 8, where an estimated 25 million Americans will be tuning in. The song, inspired by M83, is what Tedder describes as a “conscious departure,” showing that despite almost a decade of making music together, the group is consistently still evolving with each single and with every power move. It’s looking like this fall season might just belong to OneRepublic.

Lil Uzi Vert - “Seven Million” featuring Future

Philadelphia’s Lil Uzi Vert is back with his new mixtape, The Perfect Luv Tape, which he set free to celebrate his 22nd birthday. The rapper has seen a tremendous amount of growth since the release of his first self-released EP back in 2014, now racking up an impressive average of over 1 million streams on Spotify daily. “Seven Million” was reserved for the last slot on his new project, with Future blessing the song with an especially clean hook, as the two rock over an addictive atmospheric beat meticulously crafted by Nard & B, XL and Don Cannon. The track features both rappers flexing but not in an overtly obnoxious or competitive way, and the result of their collaboration makes for what can only be considered a summer anthem, perfect for rolling up to the club and soaking in the infinite possibilities that a breezy night in mid-August holds.